YVONNE CAPLES
  • Home
  • Portfolio
  • About
  • Blog
  • Contact
  • Boxing

Blog

Innovation through Play, Passion and Purpose

8/23/2013

 
“Increasingly in the twenty-first century, what you know is far less important than what you can do with what you know.  The interest in and ability to create new knowledge to solve new problems is the single most important skill that all students must master today.  All successful innovators have mastered the ability to learn on their own “in the moment” and then apply that knowledge in new ways.”  -Tony Wagner
I had the opportunity to read Creating Innovators by Tony Wagner as part of St. Mary’s Summer Reading Program for its employees and absolutely loved the book.  It was a refreshingly optimistic view of today’s youth and the endless possibilities for being innovators that our global, connected world provides them.  This book looks at approximately 10 innovators in a variety of fields and tracks them from their childhood experience through college and into their current fields of work.  What I appreciated most was the diversity of fields and backgrounds that these innovators represented and that despite this diversity there were some common threads that put these stand outs on the track of innovation.
Critical to this track were supportive parents.  Parents who encouraged their children to tinker and pursue their passions without judgment about those passions from their parents.  What surprised me most is that these parents limited the “scheduling” of their children’s time as well as the number of toys and gadgets the children had to play with.  Instead, they focused on getting their children to use their imagination.  Reading books was also a valued activity in these homes.  The other critical factor in the lives of the innovators studied was a mentor who allowed them to pursue their passions in nontraditional ways that provided real world experiences for trying out their ideas.  This mentor came in many different forms from outlier college professors who taught innovative classes to community members and activists.

The innovators in this  book followed a path of play, passion, and purpose.  What started as play for these innovators turned into passion, and then a sense of purpose for using those passions to do meaningful work.  Unfortunately, our traditional education system doesn’t generally nurture innovators and most in this book had to look outside traditional avenues to follow the innovation track.  There are a number of high schools and colleges that are restructuring traditional models of education and a good chunk of this book looks at some of these spaces of innovative learning like High Tech High, MIT Media Lab and Olin College.

Expanding Educational Landscapes

8/9/2012

 
Picture
As I embark on the journey of becoming a Flat Classroom Certified Teacher, I feel that I first must contemplate my own flat existence.  I recently moved to Raleigh, North Carolina from Las Vegas, Nevada, because my husband got a job in Raleigh.  The irony is that he is working for a Swiss company and the engineering work he is doing is in California where he is designing substations for PG & E (the California utility company).  For me the move meant making the tough decision to leave an amazing  CTE Magnet school, West Career and Technical Academy,  where I taught an innovative class called Computer-Based Projects that I had poured my heart and soul into developing.  But it also represented a chance to reboot, recharge, and try something new.  The online school that I have taught for part time for many years in Las Vegas has asked me to continue teaching online courses, so I will be teaching English from North Carolina to Las Vegas high schoolers.    And now my husband’s company has just asked him to go to Germany for 6 months, so I will be teaching Las Vegas students from Germany.  Yes, the flat world has arrived making it all the more apparent that the Flat Classroom movement of pushing global collaboration in education is becoming essential.  The Flat Classroom Certified teacher program is run by Vicki Davis and Julie Lindsay, two rock star educational innovators. It has been set up to promote global collaboration amongst educators and the creation of global collaboration projects.  Over the next 14 weeks I will have the opportunity to work with like-minded educators from around the globe who feel passionate about global collaboration and connection and will develop my own global collaboration project.  We have been asked this week to ponder what ‘flattening the classroom’ and ‘flat learning’ means.  In the text for this class, Flattening Classrooms, Engaging Minds, Vicki and Julie state, “we believe effective use of technology can build bridges between classrooms, nations, and humankind, and that 21st Century skills harness not only the power of technology but the power of people.” (p. 2) For me, ‘flattening the classroom’ and ‘flat learning’ are about utilizing technology to expand the audience, the connections, the activities, the outcomes and the learning landscapes to make learning more meaningful, efficient, collaborative, and representative of the flattened work environment that students will enter in their future.  The idea of the flat world is based on Thomas Friedman’s seminal work, The World Is Flat, and the 10 flatteners he describes that have shaped how we do business and everything else in our connected, global society.  I have been fortunate to be involved in several Flat Classroom Projects with my students as well as other global projects that I have designed such as the Congo Design Challenge, so I am starting this certification program from a place of experience.  As Julie and Vicki said it is the power of technology and people.  I am most excited about making new connections with the people in this course that will hopefully lead to opportunities for future collaboration and partnerships.  Yet, I wouldn’t be able to do this so easily without the technology.  I am thrilled to see where this exploration of the Flat Classroom and global collaboration takes me and since my own flat existence is taking me to Germany, I may even get to have some face to face time with my flat classroom instructors and classmates at the Flat Classroom Conference 2012 being held in Dusseldorf, Germany in December.
It’s been about 6 years since I first discovered the Flat Classroom Project and Vicki Davis’ Cool Cat Teacher Blog. Back then Julie Lindsay and Vicki Davis were two classroom teachers teaching halfway across the world (Julie in Bangladesh at the time and Vicki in Camille, Georgia) who tried a global experiment with their classrooms based on Thomas Friedman’s book, The World is Flat, that turned out to be a powerful collaboration that has developed into an educational movement dedicated to global collaboration and digital citizenship.  I have had students involved in Flat Classroom Projects for the past 3-4 years and embedded their model deeply in my curriculum as I developed the course Computer-Based Projects at West Career and Technical Academy.  Getting students to use digital technologies in academically appropriate ways that require collaboration with global partners is at the heart of the Flat Classroom Model.

Congo Design Challenge

6/5/2012

 
The Congo Design Challenge was a very special project that unfolded in the last part of the school year at West Tech. In an age where teens spend hours using technology to entertain themselves through gaming, social media, and texting, it is important to teach students that they can also use technology to make a difference in the world.  I developed this project by starting with the design principles and process from the Stanford Design School and Ideo.  It was my first time using this process and I found it intriguing as students followed the steps to create a meaningful solution to a problem of their choosing.  Students had the opportunity to videoconference with relief workers and former child soldiers in the Democratic Republic of the Congo and were then challenged to create a social entrepreneurship that solved a problem related to their program field which ranged from Engineering and Environmental Science to Nursing and Biomedical Sciences.  Students were required to develop a website that showcased their research and ideas as well as demonstrate how they would use technology as part of their solution.  Students presented their social entrepreneurships and websites at the Path Forward Exhibition that brought in community members, staff, and parents to listen to their ideas.  As part of the Path Forward Exhibition, students took part in the One Million Bones initiative where they created bones to raise awareness of ongoing genocide around the world.  For each bone created, a dollar is donated to CARE, an organization that works to improve conditions in developing countries.  The freshman class made over 2,500 bones.  The bones will travel to Washington D.C. and be a part of a large scale art installation to be displayed on the national mall in June 2013.   At the end of a year of teaching students how to use technology, my goal isn’t that students are the masters of any specific technology, but that they will learn how to use technology to be productive, professional individuals who make a difference in the world.  The Congo Design Challenge was the culminating project in Computer-Based Projects course where students had to use technology to do just that. Here is what some of the students had to say about the project:

“The Congo Design challenge, was, well, challenging. However, it was a great experience, and I am so thankful that I was able to be a part of it. I learned so much and was greatly inspired by my peers. I enjoyed many parts of this project, like creating the website layout and making the bones out of Crayola clay, and I found it really cool how my six bones would be a part of something huge in Washington D.C.    Ultimately, this project that took about a month to complete was time consuming, challenging, but most of all, enlightening. I hope that the ideas of a few 15-year-olds explode into something better, so we can give Congo the care it deserves.” -Blair B, 9th grade.

“Mahatma Ghandi said, ‘You must be the change you wish to see in the world.’ As pretty as that sounds, it’s a bit overwhelming to a teenager. Of course, we all want to make a difference. However, not many teenagers, myself included, have the slightest clue how to go about changing the world. However, in the Congo Design Challenge, I got the chance to see how to break that down into a reality.  We made a website, a video PSA, a Prezi, a tri-fold display, a banner, bracelets, water-bottle labels, invitations, and did tons of research in order to create a well-made presentation. All the hard work paid off when we set up our project at West Tech’s A Path Forward exhibition.  I was nervous that I wouldn’t be able to answer the visitors’ questions, but all my research was worth it when I could fully explain our project. All the students had their campaigns together in the exhibition and it was amazing to see the eagerness and excitement about helping others. We were all reminded just how blessed we are in America, and how we all have the power to make a difference in the lives of others; we simply have to decide whether we’re willing to put forth the effort to do so.”  -Katrina M, 9th Grade

“I feel that the entire Congo exhibition was an incredible experience, and a memory I won’t soon forget. Yes, it was a whole lot of work, but the end results were phenomenal. The feeling of being a part of something bigger than myself truly inspired me and my only hope is that those who came to see the presentations got as much out of them as I did.” -Devante G, 9th Grade
​

To learn more about the Congo Design Challenge and see the Social Entrepreneurship sites created by the students, you can visit these links:
Project Website

Student Requirements:
  • Congo Design Challenge Overview
  • Group Design Challenge Steps
  • Group Contract Requirements

Sample Deliverables from Students:

Student Website
Student PSA



From Blogs to Bombs

6/8/2011

 
Picture
​I recently finished reading From Blogs to Bombs:  The Future of Digital Technologies in Education by Mark Pegram.  A little over 100 pages, this powerhouse of a book takes a holistic approach to viewing digital technologies in education and society.  Pegrum uses what he call the 5 lenses (discussed in detail in previous post) of digital technologies:  technological, pedagogical, social, sociopolitical, and ecological to explore the issue of what it means to learn and live in a digital age.  He uses countless anecdotes and research to explore a gamut of issues that impact how digital technologies are changing education, identity and society.  One of the most powerful chapters of the book is where Pegrum lays out what he sees as important literacies students must grapple with to be successful in the 21st Century.  These are the literacies he suggests are important:
  • Print Literacy:  Foundational literacy; what we have come to think of as the 3R’s:  Reading, Writing and Basic…the importance of these skills has not diminished.
  • Search Literacy:   The ability to search for information efficiently and effectively
  • Tagging Literacy:  The ability to use tags to categorize and search for information
  • Information/Critical Literacy:  The ability to evaluate information for validity, accuracy, and relevance
  • Filtering Literacy:  The ability to quickly go through a multitude of sources to find relevant information
  • Network Literacy:  The ability to leverage social and professional networks to get timely information
  • Hypertext Literacy:  The ability to understand the effects of links and how to navigate them effectively
  • Participatory Literacy: The ability to participate in a variety of networks in an appropriate and positive way
  • Visual Literacy:  The ability to decode messages in images, graphics, and iconography
  • Audio/Video Literacy:  The ability to critically analyze audio and video
  • Media Literacy:  The ability to analyze commercial media and its impact
  • Virtual World/Gaming Literacy:  The ability to interact appropriately in virtual world/gaming environments
  • Remix literacy:  The ability to read and create remixed content
  • Personal Literacy:  The ability to understand how to present oneself online safely and how others will read them on the web
  • Communicative literacy:  The ability to conduct online interactions appropriately and safely
  • Cultural/Intercultural literacy:  The ability to interact and appreciate the value of various cultural differences and attributes
  • Technological literacy:  The ability to use text and graphic software, web 2.0 applications and simple authoring tools and the ability to adapt new ones as they become available
  • Code literacy:  The ability to read, write and modify computer code
  • Programming literacy:  The ability to bend technology to one’s needs and purposes
  • Texting literacy:  Raising awareness of features of textspeak and when to use it
Chapter 4 and 5 of the book that talk about social and sociopolitical lenses also offer great insight into how children today are using digital technologies to shape their identity and how the broader sociopolitical landscape is being shaped by digital technologies and the implications this has.  The last chapter about the ecological lense is a bit short but it brings up important issues of the impact of digital technologies on one’s health and the environment.  As Pegrum notes luxury in the future may be the luxury of time away from these digital technologies.  This is an important book and anyone who cares about education should read it.

​Image Source:  freepik.com

Differentiated Instruction

10/3/2009

 
Picture
​In my quest to inform the task of developing curriculum that addresses a variety of intelligences and learning styles, I read the book The Differentiated Classroom by Carol Ann Tomlinson.  The key principles of differentiated instruction outlined in the book and listed on page 48 are:
  • The teacher is clear about what matters in the subject matter.
  • The teacher understands, appreciates, and builds upon student difference.
  • Assessment and instruction are inseparable
  • The teacher adjusts content, process, and product in response to readiness, interests and learning profiles.
  • All students participate in respectful work.
  • Students and teachers are collaborators in learning
  • Goals of a differentiated classroom are maximum growth and individual success
  • Flexibility is the hallmark of differentiated instruction
There is a wealth of information packed into this 130-page book about how to go about differentiating instruction so that the differences students bring with them are addressed.  The first thing that is important to consider is the goal of having each student grow as much as they possibly can.  This is first and foremost and it’s clear that in order to do this you have to provide different learning experiences.  As Tomlinson states: “All students need to understand the same essential principles and even use the same key skills.  Yet, because of variance in student readiness, interest, or learning profile, children must “come to” the ideas and use the skills in different ways” (p. 37).  But even before one goes about differentiating for different students, teachers must have a clear sense of what the students should come to know, understand and be able to do from their study of the curriculum.  Without this clarity, differentiation is only shallow.  Students should come away with the same basic understanding and skills regardless of the path they took to get there.  Tomlinson goes on to say that what she calls durable learning must include understanding and engagement.   Student’s interests as well as their comprehension must be cultivated in order for learning to be long term. With the content one must address one or both of these questions in order to motivate students:  Is it interesting to the students? and/or does it have any practical value for them?  As Tomlinson states, “It is a human birthright to be a learner.  There is little we do that is more important.  In a healthy classroom, the teacher knows that we have little time for exploring and understanding.  Thus, he focuses on what matters the most about a subject and ensures that the essentials are at the core of student experiences” (p. 32).  She goes on to list these key features of what should be taught and learned in a classroom:
  • is relevant to students; it seems personal, familiar, connected to the world they know;
  • helps students understand themselves and their lives more fully now, and will continue to do so as they grow up
  • is authentic, offering “real” history or math or art, not just exercises about the subject;
  • can be used immediately for something that matters to the students; and
  • makes students more powerful in the present as well as in the future
Only once this has been done can a teacher proceed to differentiate instruction in meaningful ways.  Tomlinson warns: “You need not differentiate all elements in all possible ways.  Effective differentiated classrooms include many times in which whole-class nondifferentiated fare was the order of the day.  Modify a curricular element only when (1) you see a need and (2) you are convinced that modification increases the likelihood that the learner will understand important ideas and use important skills more thoroughly as a result” (p. 11).
Tomlinson notes that there are numerous ways to differentiate based on students’ readiness, interest, and learning profiles.  She goes on to say that content (what students will learn and the material that will represent that), processes (activities through which students make sense of key ideas using essential skills), and product (how students demonstrate and extend what they understand and can do as a result of a span of learning) so that when you think about differentiating you should ask these 3 questions:
  1. Differentiate What?
  2. Differentiate How?
  3. Differentiate Why?
One other critical feature of differentiated instruction is that assessment needs to be ongoing and its purpose is to inform how a teacher should proceed with instruction, not as a culminating activity to show what students have mastered.  This book was truly a powerhouse in terms of laying out a framework for differentiating instruction.  Now the task of making it a reality so that all students in a given classroom thrive and grow as much as possible.
​
Image Source:  freepik.com

Getting to Know Your Online Students

4/27/2009

 
Picture
The more I read about differentiated instruction, the more I realize that it involves first coming up with a quality curriculum, then getting to know your students and making adjustments based on the students you have.  Key to this is getting to know your students from the beginning so you can begin to make those adjustments as early as possible.  This, of course, is difficult in an online setting.  As I prepare to teach online for the summer, I am beginning to brainstorm ways to get to know students better at the beginning of a class.  Here are a few ideas I’ve come up with:
Interest Inventory- I am creating an interest inventory that I hope gets at some of the interests of my students.  I think it’s important to have the interest inventory be content specific, so you get a sense of what is most interesting to the students about your content area.  It should also include more general interest questions, so you get a sense of what is important to individual students.  I think also you need to get a sense of what is going on in the students’ lives right now.  When possible, get at what personal concerns students have and what their schedule is like.

Pre-Assessment- This is critical to know where your students are starting at with your content area and their academic and readiness level.  Regardless, of the course, I think it is important to include a writing sample, which is a lot more telling in many ways than a multiple-choice assessment.  A combination of both is a good idea.

Learning Style/Intelligences Inventory-  This is valuable for the teacher and the students to know what their learning preferences are as well as strengths and weaknesses.

Letting Students Get to Know You and Your Course:

It is equally important that students get to know you as well.  It is hard to develop a presence in an online setting.  Some ideas are:
  • Teacher video that includes personal information so they see you as a person and hence feel they can relate to you.
  • Course orientation video that shows students how to get around the course and do the major tasks required in the course.
  • Class Treasure Hunt that includes a variety of tasks and scenarios that prepare students for the course and get them comfortable with where to locate important materials in the course.
  • Course Syllabus that lays out everything about the course.
  • Pacing Guide that breaks down what they should be accomplishing each day or week in a course.
​Image Source:  freepik.com

Powerful Curriculum Design Using UBD

3/6/2009

 
Picture
​When I first started teaching in this school district, the buzzword was BAM or Backward Assessment Model.  I grew to detest this term, because how it manifested itself at my school at the time was that everyone teaching the same class was expected to have a common assessment and were expected to be teaching more or less the same thing.  Several teachers got in trouble for not being on the same page at the same time.  In my quest to figure out how to develop quality curriculum instruction, I finally understand the power of backward design through reading Understanding by Design by Grant Wiggins and Jay McTighe.  This book makes a strong argument for quality curriculum design through a focus on student understanding.  The book spends a lot of time deconstructing what it means to understand and in the process what it means to teach and learn.  Wiggins and McTighe capture what it means to understand in the following statement, “To have understood means that we show evidence of being able to transfer what we know.  When we understand, we have a fluent and fluid grasp, not a rigid, formulaic grasp based only on recall and ‘plugging in’” (p. 7).  Wiggins and McTighe argue that there are six facets to understanding:  explanation, interpretation, application, perspective, empathy, and self-knowledge.
One idea in the book that really hit home to me was what the book calls “the twin sins of traditional design”.  These two sins are activity-oriented design and coverage design.  Both are equally bad.  The first is an emphasis on hands-on activities that students might find engaging and fun, but don’t require students to learn any major concepts.  The second concept is coverage where teachers try to cover everything in a textbook our curriculum guide and end up covering nothing of substance.  Neither help students to understand and learn.
Understanding by Design lays out a clear format for curriculum design that can help anyone build rich curriculum.  The three stages of backward design are:
  1. Stage 1:  Identify Desired Results- What should a student know, understand, and be able to do?  What content is worthy of understanding?  What enduring understanding are desired?
  2. Stage 2:  Determine Acceptable Evidence-How will we now if students have achieved the desired results?  What will we accept as evidence of student understanding and proficiency?
  3. Stage 3:  What enabling knowledge (facts, concepts, principles) and skills (processes, procedures, strategies) will students need in order to perform effectively and achieve desired results?  What activities will equip students with the needed knowledge and skills?  What will need to be taught and coached, and how should it best be taught, in light of performance goals?  What materials and resources are best suited to accomplish these goals?
I am beginning to create my first unit lesson plan based using the UBD template.  I signed up for the UbD Exchange website, but wasn’t impressed by what I saw so far.  I highly recommend the Understanding by Design Professional Development Workbook that has tons of activities to help you create a unit based on the principles of Understanding by Design.
Image Source:  freepik.com

Being Disruptive

2/23/2009

 
​Although the presentation of this content is a 1-hour lecture, I think it really gets at how to be disruptive in the 21st Century.  This presentation, “A Portal to Media Literacy”, by Professor Mike Wesch of Kansas State University really blew me away.  Wesch argues that we are having a crisis of significance.  He asked a lecture hall full of his students “how many of you don’t like school?” and about half of his students raised their hand (these are students who pay to go to school).  When he then turned around and asked his students “how many of you don’t like to learn?”  No one raised their hand. This lecture gets at the core of how we need to change our educational practices to make them relevant and meaningful to students.  Wesch argues that” to learn is to create significance” and “we need to help students make meaningful connections because that’s where learning really happens.”  He also argues that we need to answer the question “How can we create students who can create meaningful connections?”  Wesch lays out two types of meaningful connections to make:
semantic meaning:  how things relate, connect and contrast with other things.
personal meaning:  a person finds their own meaning and significance not just in “who they are”, but in how they relate, connect, and contrast with other people.
I think this lecture gets at the core of why so many kids don’t care or are so alienated by the current educational system.  He gets at the importance of connecting to students.  He uses a quote from Barbara Harrell Carson, “Students learn what they care about from people who they care about and who they know care about them.”  Online learning is challenging because it can be difficult to make those personal connections with students.  How do you let students know you care and how do you get to know your students?  I think these are key questions any online educator needs to answer.  Wesch illustrates how he is able to create significance in his Intro to Cultural Anthropology class by doing the following three things:
  1. Find a grand narrative to provide relevance and context for learning
  2. Create a learning environment that values and leverages the learners themselves
  3. Do both in a way that realizes and leverages the existing media environment.
  4. Ultimately to create platforms for participation that allows students to realize and leverage the emerging media environments.
This video is a must see for anyone who cares about educational change!  Another good lecture by Wesch– Knowledgeable to Knowledge-able::http://hosted.mediasite.com/hosted5/Viewer/?peid=edd5f8a1a0ad4e2fbacee11257dd2950
Forward>>

    Author

    Yvonne Caples is a Learning Experience Designer who is passionate about making learning meaningful and engaging for all.

    Posts

    All
    AI
    Boxing
    Curriculum Development
    Diversity
    EdTech
    Equity
    Inclusion
    Innovation
    Instructional Design
    Project-management
    Team Building
    Travel

    RSS Feed

Proudly powered by Weebly
  • Home
  • Portfolio
  • About
  • Blog
  • Contact
  • Boxing